____ _ _ _ _
| _ \ ___ | |_ (_) _ __ ___ __| | (_) __ _
| |_) | / _ \ | __| | | | '_ \ / _ \ / _| | | | / _ |
| _ < | __/ | |_ | | | |_) | | __/ | (_| | | | | (_| |
|_| \_\ \___| \__| |_| | .__/ \___| \__,_| |_| \__,_|
|_|
- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b- `b
Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―Β―
PΒ·AΒ·L
ββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββ
top
PΒ·AΒ·L ist ein deutsches Musikprojekt von Christian Pallentin (* 11. Mai 1966), das bei den deutschen Plattenlabels Hymen Records and Ant-Zen zahlreiche Alben verΓΆffentlicht hat. Stilistisch bewegt sich die Musik von Rhythm βnβ Noise bis Ambient.
Charakteristisch fΓΌr PΒ·AΒ·L in den Anfangsjahren war der Einsatz von Sprachsamples propagandistischer Tondokumente aus der Zeit der DDR, etwa ΓΌber die βbahnbrechende Schichtβ Adolf Henneckes in Shiftwork (1994) oder des MassengelΓΆbnisses der FDJ-Jungpioniere in GelΓΆbnis (1995).
PΒ·AΒ·L gab bisher mehr als 70 Konzerte in Europa und USA, u. a. auf dem Wave-Gotik-Treffen (1996, 2001, 2002)cite-ref-wgt-1-0[1], dem Amphi Festival 2007cite-ref-amphi-2-0[2] und dem Maschinenfest (1999, 2001, 2006, 2008)cite-ref-masch-3-0[3].
Contents
β’ Diskografie
β’ Alben
β’ Sonstiges
β’ Weblinks
β’ Einzelnachweise
ββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββ
Diskografie
Alben
β’ 1995: Signum (u. a. mit dem StΓΌck βGelΓΆbnisβ)
β’ 1997: M@rix
β’ 1997: After-hour Sounds, LP
β’ 2000: Release
β’ 2004: Retro
β’ 2006: Modus
Sonstiges
β’ Concrete Rage, 1993, Tape
β’ Plugged/Live, 1994, Tape (u. a. mit dem StΓΌck βShiftworkβ)
β’ Consent, 1994, 7β
β’ Initiation, 1995, Tape
β’ Sacred Women, 1995, MCD
β’ Reel, 1996, MCD
β’ Deutsch NePΒ·AΒ·L, 1996, 7β (zusammen mit Deutsch Nepal)
β’ Remote, 1997, 7β
β’ M@rmx, 1998, LP
β’ Play at 2:00 A.M., 1999, 12β
β’ Untitled (mit Ah-Cama Sotz), 1999, 7β
β’ Special Edition, 2000, 3β-CD
β’ Live at 2:00 A.M., 2002, CD
Weblinks
Einzelnachweise
cite-note-wgt-11. β Wave Gotik Treffen 1996 f. β KΓΌnstlerliste
cite-note-amphi-22. β Amphi-Festival 2007 β Bandinfo: P.A.L
cite-note-masch-33. β Maschinenfest β Lineup-History (1999β2015) (Memento vom 31. Mai 2016 im Internet Archive)